Sunday, November 1, 2009
So Little Time, So Much To Eat!
Saturday, October 31, 2009
Road Time
The traditional Jewish day starts at sunset, the modern business day starts in the morning but the performing day generally starts in the afternoon. I’m not Jewish so the first scenario doesn’t affect me much. When I’m at home I get up at 4:30am and try to do anything that is important before noon, especially writing. Appointments and other errands are relegated to the afternoon, if possible. Also trombone practice and any exercise. By the time supper is over I’m operating at about 70% and fading by the hour. If I’m not in bed by 11pm I am wishing I was. By contrast, when touring it’s not even relevant to think of the day as beginning when you get up in the morning. Like a farmer, day begins when the work begins. For us that is Lobby call, the time when the cast meets to go to the concert hall, usually some time around 1:30pm. We make our way to the venue, have a daily sound check and brief rehearsal, eat dinner and then do a show around 7pm. In that scenario we may not even be walking off stage before 9:30pm and are lucky to be back to the hotel by 10pm. At this point I am what I like to describe as “tired and wired.” “Tired” from putting out for the past 2 1/2 hours but “wired” from the adrenalin that’s still having its effect. After a show I want quiet and it can be several hours before I can think of sleep. Many performers who wind up with drug or alcohol issues began with the simple expedient of taking meds so they could go to sleep after performing. A quiet, light, meal and hot shower are my drug of choice. Bedtime can be single digits, a time I try never to see when at home. Concert mornings, whenever they begin, are spent in devotional activities, reading, writing and light exercise.
Wednesday, October 21, 2009
9 Reasons Why You Should Visit Tokyo Today
1. They like Americans here. I’ve been cursed in France, elbowed in Seoul, gypped in Italy, distained in Holland and refused use of the toilet in London. That doesn’t happen in Tokyo. School kids want to speak English with you and have their picture taken with you and stores and restaurants unfailingly greet you with a loud “Irrashaimase” (welcome!) when you enter. People are actually helpful. Try asking for directions in Paris and see what that gets you.
2. Great food. Americans squeamish about raw seafood need have no fear. Food and Wine magazine rates Tokyo the Planet’s #1 Food City and the Michelin Guide rated Tokyo twice as high as Paris! The cuisines of the world are here in abundance. Fabulous Chinese food, great Italian and Indian food are nearby. They use knives and forks. There are over 500 McDonald’s restaurants and uncountable Starbucks so there is comfort when needed. About the only cuisine that is in short supply is Mexican. I don’t know why.
3. Beautiful parks/public spaces. The Japanese love nature and the outdoors. That is why Tokyo is full of parks and gardens. The plazas around restaurants are spacious, clean, safe and graffiti-free.
4. Western Arts/Museums/Music. Since the Meiji Restoration (mid-1800’s) the Japanese have had an interest in Western culture. But it really flourished during the boom years of the 70’s and 80’s. If you love Western art this is the place for you. The orchestras of the world make Tokyo a regular stop, not to mention jazz and pop artists.
(This is my orchestra. Come hear us!)
5. Japanese Culture. You can get the real lowdown on the samaurai. So also Kamakura, Japan’s ancient capital is a short bus trip away. There are interesting Buddhist and Shinto Shrines and temples all over the place. If you’re looking for a dried-out squid I know where you can get one. Beyond that I have only 2 words to say: Kabuki Za.
(音楽 = "music")
6. Natural beauty. Mount Fuji stands in the distance and can be visited easily by tour bus or train. The countryside is a rich tapestry of rice paddies, orchards and tea fields. Giant swaying bamboo forests and craggy mountains.
7. It’s safe here. There are police but they don’t seem to have much to do. That’s good for you. Bring granny and the kids.
8. Shopping. I’m not much of a shopper but whatever you’re looking for there’s probably a district in Tokyo which specializes in it. Cool flea markets where you can buy a kimono or interesting pottery. Did I mention dried-out whole squid? Elsewhere they have Asian fabrics to die for and you can buy plastic food indistinguishable from the real thing. What more can I say?
9. It’s different. I mean, really, do you need another trip to Orlando?
Monday, October 19, 2009
Disney On Classic 2009 - Day 2
Rehearsals have begun in earnest. Sunday we had sectional rehearsals with just the singers, followed by rhythm section with percussion. Yesterday we had the full orchestra read-through. This is everyone’s first time actually playing the music, including me, and it is hard work since the music is complex and technically challenging and there are the inevitable mistakes in the score to be found and corrected. The orchestra is godlike in their ability to find every mistake in the millions of notations I have made. As the bible says, "There is nothing hidden that will not be revealed." Generally if the problem is obvious they just fix it. But if not, they converge on the podium when we go to break and either ask me or grab the scores and check it out for themselves. One can hardly overstate how dedicated they are to doing their best and how supportive they are toward me. Yesterday was 6 hours of hard work and we were all whipped at the end. And we get to do it again today!
Sunday, October 18, 2009
Disney on Classic 2009 - Room With a View
Having spent so much of my life in hotels I have developed a strategy to be comfortable therein. The first thing I do is unpack everything, hang it up or put it in drawers and then stow my suitcases where I’m not stumbling over them. Then I like to hit the street and get some food. There is something reassuring when you eat that assures you that the place will sustain you. All of a sudden it’s not so alien. (“Amazing! People eat food here too! I wonder if they use the toilet???”) I also bring some favorite comfort food from home if I can. Here in Japan the food can be bland to the debased American palate, so it’s nice to bring something with some serious salt, fat and crunch factor which can go a long way to restoring my sense of equilibrium. My friend Jack has provided me with the Gardetto’s (Photo) which are lovingly packed and then consumed during the 3-5am “I’m still getting used to Japan time” wakefulness. To the Japanese this is food from Mars. Once my Mother visited and brought some Mackinaw Island fudge to share with the Japanese orchestra members. They cut it up into teeny-tiny cubes and dutifully ate it but it was way too sweet for them to enjoy. Another time, my son DJ shared his “Warheads” with the Japanese staff and about killed 3 of them. For me, a piece of sweet bean candy at 4am just doesn’t get the job done. But that’s what makes the world go ‘round. I bring along my favorite, most comfortable clothes to wear when I’m awake in the middle of the night and feeling bereft. At that point you might see me sitting in a chair, reading my bible with my hood up. This is comfort.
Disney on Classic 2009 - Week 1
The rehearsal week is always the toughest. First of all, we’re all a bit jetlagged and discombobulated from being 16 hours out of kilter. Tokyo and the Japanese culture are a bit mindboggling for those for whom this is their first trip here. We’re all getting to know each other. No one knows where anything is so every decision, from where to eat, do laundry or remembering where my wife packed my deodorant requires some research before it can be accomplished. So we’re coping with all that and trying to be productive over the course of relatively long days.
The rehearsals the first day are a bit tedious because we’re working on pieces of the puzzle which won’t mean much until they’re all assembled with the orchestra.
Actually, preparation for the tour begins before we ever leave home. After the writing is done the are 3-4 weeks of learning the music and figuring out exactly how I’m going to conduct it. Not to be simplistic, but most popular music starts with a certain time signature and tempo and pretty much does that from beginning to the end. Film music is not so constituted. Drastic meter and tempo changes can occur in rapid succession as the music is chasing the action on screen. For instance, there is an 11-measure passage in “The Lion King” where the meter changes 8 times! The wise conductor tries to internalize these shifts before mounting the podium lest he become a living example of “the blind leading the blind.” In the same way, the singers rehearse in NYC for a few days before coming to Tokyo on music and even create some fun choreography.
The rehearsals the first day are a bit tedious because we’re working on pieces of the puzzle which won’t mean much until they’re all assembled with the orchestra.
Actually, preparation for the tour begins before we ever leave home. After the writing is done the are 3-4 weeks of learning the music and figuring out exactly how I’m going to conduct it. Not to be simplistic, but most popular music starts with a certain time signature and tempo and pretty much does that from beginning to the end. Film music is not so constituted. Drastic meter and tempo changes can occur in rapid succession as the music is chasing the action on screen. For instance, there is an 11-measure passage in “The Lion King” where the meter changes 8 times! The wise conductor tries to internalize these shifts before mounting the podium lest he become a living example of “the blind leading the blind.” In the same way, the singers rehearse in NYC for a few days before coming to Tokyo on music and even create some fun choreography.
Saturday, October 17, 2009
Disney On Classic 2009 Begins
Well, we have all arrived in Tokyo a bit frazzled from the departure preparations and dazed from the 12-hour plane flight and 90-minute shuttle bus ride from Narita Airport to our hotel in Shinjuku. Tokyo is so big that it is like getting off the plane at LAX and then taking a shuttle to Victorville - but being in city almost the whole way! We normally land in the late afternoon so by the time you can claim your luggage and clear Immigration and make it to the hotel is it well past dinner time. Tokyo is a crossroads of the world and one encounters in the hotel lobby Western and Eastern European orchestra members, Aussie vacationers, Arab businessmen and Asians visiting Tokyo Disneyland. Once installed in my room the first thing I want to do is open my suitcase and hang up and put in drawers as much stuff as possible. In about a half-hour I venture down to the lobby and meet my Japanese hosts and go out for some good Tokyo ramen, gyoza and cha han (fried rice). This says “I’m here!” to me. Another aspect to all this is meeting the new cast. This year we have 8 great actor-singers from New York and I occupy myself with meeting them and trying to get to know everyone a bit. Some have been to Japan before but for most this is a first-time experience. I try to remember what it was like for me over a decade ago when I came over here for the first time. This will be our little family for the next 10 weeks thru thick and thin.
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